![]() The latter came accompanied by a recording of the same name, and it was extraordinary. An enormous timeline of 3” by 5” cards nicknamed “the Anaconda” encircled his studio, and the first results were the books Drumming at the Edge of Magic, a memoir and manifesto, and then Planet Drum, a history and study of percussion and its applications. Their album Diga was put out by the Dead’s Round Records in 1976 (and re-released by Rykodisc in 1988), and is a landmark in American percussion music.Īs the ‘80s passed, Hart buttressed his experiential studies with anthropological ones, starting with Joseph Campbell and moving through academic studies of the shamanic origins of percussion. In the 1970s they collaborated on the Diga Rhythm Band, which was largely composed of students from the Ali Akbar Khan School of Music, where Zakir taught. His work with Allarakha introduced unusual time signatures into the Dead’s repertoire then the master gave Mickey his greatest gift by introducing Mickey to his future life partner in rhythm, Allarakha’s son, Zakir Hussain. Already a member of the Grateful Dead, Hart had by all measures achieved considerable success, but his passion for studying other rhythmic worlds was just taking off. The origins of Planet Drum lie in Mickey Hart’s 1968 encounter with the great Indian tabla player Allarakha, best-known as Ravi Shankar’s accompanist. Mickey Hart, Zakir Hussain, Sikiru Adepoju, and Giovanni Hidalgo are Planet Drum. ![]() Rhythm and percussion form the universal pass key to the world’s music, the underlying connection that can unite an American rock and roll drummer who started in the marching band world with the master of Indian tabla, the “Mozart of the Nigerian talking drum,” and one of the great conqueros (conga players) alive.
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